SALI 19 EYLÜL 2016
Take the AID Train!
@ Kaset Mitanni !!!

190917_TakeTheAIDTrain@KasetMitanni
Poster : Dunya Atay

Saat / Time : 21:00
Yer / Place : Kaset Mitanni
Adres / Address : Cihannüma Mah. Barbaros Bulvarı No:61/A Beşiktaş, Istanbul
Tel / Phone : (0212) 236 1652

TAKE THE AID TRAIN! Facebook Event link

Kaset Mitanni Facebook link

A.I.D. (Art Is Dead) Facebook Page

Angelika Niescier
Korhan Erel
Robert Riegle
Şevket Akıncı

PAZARTESI 11 EYLÜL 2017
Fabric/ate-Fabrikasyon @ Schneidertempel
Sanat Merkezi !!!
Fabric/ate-Fabrikasyon @ Schneidertempel Art Center !!!

110917 Fabric_ate - Fabrikasyon@Schneidertempel Sanat Merkezi

Saat / Time : 18:00-20:00
Yer / Place : Schneidertempel Sanat Merkezi
Adres / Address : Bankalar Cd. Felek Sokak, No: 1, Karaköy/Beyoglu, 34430 Istanbul
Tel / Phone : (212) 249 01 50

Harita / Where is it?

(Scroll down for English)

“Fabrikasyon”[1] mekâna özgü kumaş bazlı yerleştirmeler yapan üç görsel sanatçı Gili Avissar (İsrail), Stephanie Müller (Almanya) ve Lisa Simpson (Brezilya)’nın katılımıyla, Tuçe Erel’in küratörlüğünde, İstanbul’un tarihi mahallesi Galata’da yer alan Schneidertempel Sanat Merkezi’nde açılacaktır. Stephanie Müller ve Lisa Simpson’ın kıyafet dikerek müzik yaptıkları ‘Amfilenmiş Dikiş Makinaları Duosu’nun canlı müzik performansının da olacağı açılış 11 Eylül’de gerçekleşecek. Sergi 7 Ekim 2017’ye kadar açık kalacak. Açılışta Stephanie Müller ve Lisa Simpson’ın dikiş makineleri ile gerçekleştirecekleri performansa; İstanbul’dan Defne Sandalcı metin okuması, Şevket Akıncı elektrik gitar ile dahil olacak.

Sanatçıları bir araya getiren bağlantı, her sanatçının kumaşı medya olarak kullanması ve mekâna özgü gerçekleştirecekleri enstalasyonlar ile hem kendi aralarında hem de Osmanlı döneminde Aşkenazi terziler birliği tarafından Sinagog olarak inşa edilmiş mekanın geçmişi ile diyalog kuruyor.

Her sanatçı, kumaş ile kurduğu sanatsal pratiği ile giyim endüstrisinin kısmen kimliklerimizi yapılandırdığını da vurguluyor. Gündelik hayatımızın bir parçası olan tekstil endüstrisi, dünyadaki en büyük endüstrilerden biri olarak sosyo-ekonomik bir fenomen. Fabrikasyon sergisinde, sanatçılar kendi aralarında paralellik kurarken, mekanı da enstalasyonları ile dönüştürecekler.

Kumaş, Avissar’ın işlerinin ana malzemesidir. Sanatçı, kumaşı boya ile birleştirerek sergi mekânlarında büyük ebatlı yerleştirmeler gerçekleştiriyor. İnşa etmek, içinde yaşamak ve dönüştürmek için yerler olarak algıladığı sabitlenmemiş ortamlar yaratma pratiğinin merkezinde göçebeliğin varoluşsal durumu yer alıyor. Avissar, ‘Beeri Ağacı’ (2014) videosunu aynı videodan yola çıkarak gerçekleştirdiği çadır işi ile beraber Scheidertempel Sanat Merkezi’ne uyarlayarak sergileyecek. Sanatçının video işlerini içeriğini stüdyosunda veya doğada yarattığı yerleştirmeler ile yaptığı performanslar oluşturur. Avissa’ın enstalasyonu, ‘Beeri Ağacı’ (2014) videosu ve eşlik edecek diğer çeşitli fotoğraflar ile beraber mekanı orijinal bağlamında çıkartıp başka bir varlığa dönüştürecek.

Lisa Simpson sanatsal pratiğinde, ikinci el kıyafetler ve kumaş artıklarından heykelsi kıyafetler üreterek batılı tüketim alışkanlıklarını sorguluyor. Simpson dikiş makinesini solo ve grup performanslarında müzikal enstrüman olarak kullanarak, müzik kompozisyon öğretisinde sıkça kullanılan özgür doğaçlama ve belirsiz konseptlere dayanan yumuşak heykellerini yaratıyor. Sergi için Simpson, Stephanie Müller ile birlikte, geçmişteki performansları sırasında ürettikleri kıyafetlerin yanı sıra, Istanbul’da buldukları malzemeler ve özellikle ikinci el dükkanlar, hızla soylulaştırılan Bomonti ve Dolapdere’deki tekstil atölyelerden bulacakları kumaş artıklarıyla bir yerleştirme sunacak.

Stephanie Müller, kumaş, tekstil ürünleri ve sesi bir araya getiren yerleştirmeler ve işler üretiyor. Müller, yanı sıra Klaus Erich Dietl işbirliğinde video işleri de üretiyor. 2014 yılından beri de Stephanie Müller ve Lisa Simpson’ın Mikrofonlanmış Dikiş Makinesi ikilisi var. Bu ikili, hazırlanmış, çeşitli objelerle ve amfiyle ses kaynağına ve enstrümana dönüştürülmüş dikiş makinelerini çalıyorlar. Stephanie ve Lisa, sergi açılışı süresince dikiş makineleri ile ses performansları gerçekleştirecekler.

Bu sergi, 40. Yılını kutlayan Mazars Denge’nin ana sponsorluğunda gerçekleştiriliyor. Mazars Denge’nin ana sponsorluğunun yanı sıra İsrail Büyükelçiliği İstanbul, Compagnia di San Paolo destekli European Cultural Foundation’ın STEP seyahat fonu ve Alberto Cimetta seyahat fonu ‘Fabrikasyon’ sergini desteklediler.

Schneidertempel Sanat Merkezi ziyaret saatleri 11:00-18:00 arasıdır ve mekân Pazartesi-Salı günleri kapalıdır.

Gili Avissar

1980 Hayfa doğumlu Gili Avissar, farklı disiplinlerde işler üreten bir sanatçı, Tel Aviv’de yaşıyor. Gili Avissar’ın farklı teknikleri kullanarak ürettiği işleri, sürekli değişen alanlar yaratıyor. Avissar, işlerinin fiziksel olarak bir parçası oluyor: video işlerinde boyanın içinde yuvarlanıyor, kendi kumaş heykellerini giyiyor ve kendi yarattığı maskeleri takıyor. Her yeni iş, bir önceki iş ile bağlantılı ve bir önceki işten malzemeleri de yeniden kullanarak, renkleri yeniden keşfediyor, nesneleri yeniden şekillendirip, başlangıç ve bitiş döngüsüne vurgu yapıyor. Bu döngü de Avissar, mütemadiyen kendini belgeleyerek, kendi atölyesinde çektiği videolar ile sadece kendi estetik manifestosunu öne sürmüyor, yanı sıra geçiciliği de kayıt altına almış oluyor. Sanatçının video işleri, onun mahrem dünyasına geçişi sağlayan kapı görevi görüyor ve izleyiciyi sanatçının metodolojisiyle de buluşturuyor. Bu bağlamda Avissar’ın videoları, Video Art fikrine de meydan okuyor, elbette sanatçının amacı video sanatını yeniden tanımlamak değil; ama Avissar’ın videoları, sanatçının gerçek pratiğini gözler önüne sürebildiği bir mecra oluyor. Avissar’ın video külliyatında, sanatın her türlü medyasını kullandığı görülüyor: bazen heykelin doğasıyla özdeşleşiyor, kimi zaman sanatçının performatif karakterini ortaya çıkartıyor, kimi zaman resim, kimi zaman da büyük ebatlı yerleştirmeleri videolarında görüyoruz. Avissar’ın işlerinde ilk etapta görülen dönüştürücü pratiğin ötesinde, sanatçının işlerinde kavramsal ve maddesel anlatıların birleşmesi önemli bir rol oynuyor.

http://www.giliavissar.com/

Stephanie Müller

Stephanie Müller deney yapma ve doğaçlama şevkiyle dolu bir görsel sanatçı ve sosyal bilimci. Sanatçı; iletişim bilimleri, sosyoloji ve psikoloji alanlarında yüksek lisansını tamamladı. (LMU Münih) ve ayrıca sanat ve terapi alanında Münih Sanat Akademisi’nde eğitim aldı. Eğitimi sırasında tekstil ve medya sanatını bir araya getiren rag*treasure projesini kurdu. Oxford’da yaşayan şarkı yazarı Laura Melis Theis ile birlikte deneysel müzik grubu beißpony’i kurdu. 2013 Ekim ayında Chicks on Speed müzik şirketinden de çıkış albümü yayınlandı.

Sanat projelerinin yanı sıra Stephanie Müller üniversitede misafir öğretim görevlisi olarak çalışıyor. 2014 yılından beri Salzburg Üniversitesi ve Mozarteum himayesi altındaki ‘Making Art – Taking Part’ (Sanat Yapmak – Yer Almak) araştırma projesinde yer alıyor.

Müller, New York’ta Sidewalk Cafe’de, Roma’da Cineclub Detour’da, Vienna’da Museumquartier’de ve Kunsthalle Schirn’in (Frankfurt a. Main) davetiyle Karlsruhe’deki ZKM’de ses performansları gerçekleştirdi. Klaus Erich Dietl ile birlikte yönettikleri uzun metrajlı film ‘The Mouth – Our Ultimate Prison’ (Ağız – Bizim Nihai Hapishanemiz) filminin prömiyeri Temmuz 2017’de Münih’teki Lenbachhaus’ta gerçekleştirildi.

Diyalog, Müller’in sanatsal ve araştırma projelerinin en önemli parçasıdır. Sanatçı, İngiliz Sanat Konseyi ve Goethe Enstitüsü gibi kurumlar tarafından destekli uluslararası sanatsal değişim projelerine katıldı. Antwerp (Belçika), Austin (Teksas, ABD), Lviv ve Kiev ( Ukrayna), Cakarta (Endonezya)’da misafir sanatçı programlarına katıldı. Şu an da Müller, iş birliği yaptığı Klaus Erich Dietl ile birlikte BE Festivali kapsamında, Avrupalı misafir sanatçı statüsüyle Birmingham’dadır.

www.flachware.de/stephanie-mueller

Lisa Simpson

Lisa Simpson sanatçı, müzisyen ve terzi.

Sanatçı 2003 yılından beri mikrofonlanmış ve enstrümana dönüştürülmüş dikiş makinesi ile ses performansları yapıyor. Gün içerisinde, sanatçı istenmeyen kıyafetlerle uğraşıyor, onları kesip biçiyor ve yeniden giyilebilir formlara sokuyor. Gece ise dikiş makinesiyle başka müzisyenlerle buluşuyor ve Lisa dikiş makinesinin sesi ve ritmiyle diğer müzisyenlerle birlikte doğaçlıyor. Sanatçının dikiş makinesi mikrofonlanarak bir müzik aletine, eski kıyafetler ise giyilebilir heykellere dönüşüyor.

Sanatçı, Tuiuti do Paraná Üniversitesi’nde güzel sanatlar alanında lisans eğitimini tamamladı. Sonrasında Emily Carr üniversitesinde uygulamalı sanatlar yüksek lisans eğitimini sanat ve tasarım alanında yaptı. Sanatçı yaratım sürecinde dikiş makinesinin performatifliğine odaklanırken, izleyici katılımının ilham kaynağına dönüşmesine de önem veriyor. Simpson, insanların gardıroplarını dönüştürürken, günümüz tüketim alışkanlıklarını sorguluyor ve moda endüstrisinin sürdürülebilirliğini tartışıyor. Sanatçı; Vancouver Art Galeri, Berlin Performans Ayı, Bimhuis (Amsterdam), Curitiba Moda Haftası gibi uluslararası platformda performanslar gerçekleştirdi. 2014 yılında, ‘What’s the Deal’ (Neler Oluyor?) Avrupa projesi kapsamında, Münih’teki Villa Waldberta’ta misafir sanatçı programına katıldı.

http://musicalsewing.blogspot.com.tr/

[1] ] Fabric/ate ismi, İngilizce Fabric (Kumaş) kelimesiyle, Fabricate kelimesi arasında bir kelime oyuna vurgu yapıyor. Fabricate, sadece fabrikasyon anlamına gelmiyor, ayrıca uydurmak, yaratmak anlamına da geliyor. Giyim üzerinden yaratılan ya da uydurulan kimliklere de gönderme nedeniyle sergi adı Fabricate olarak belirlendi. Bu vurguya tam karışlayacak bir Türkçe isim olmadığı için de sergi adının Fabrikasyon olmasına karar verildi.

(English version)

Fabric/ate’ is an exhibition of site-specific textile-based installations by three visual artists Gili Avissar (Israel), Stephanie Müller (Germany), and Lisa Simpson (Brazil), curated by Tuçe Erel, at Schneidertempel Art Center in Istanbul‘s historic Galata neighborhood. The works will be hosted from September 11, with a live musical sewing performance during the opening night by Stephanie Müller and Lisa Simpson, the “Duet of Amplified Sewing Machines” where the two artists make music out of making clothes. The exhibition can be visited until October 7, 2017. Defne Sandalcı with her text reading and Şevket Akıncı on electric guitar will join the performance of Amplfied Sewing Machine Duo of Stephanie Müller and Lisa Simpson at the opening.

What ties the exhibiting artists together is their diverse use of cloth as medium, each presenting their own site-specific installation created in dialogue with the history of the venue hosting them, a former Synagogue built by the Ashkenazi Jewish Tailor-Guild during the late Ottoman Empire.

Each artist engages with fabric in his or her artistic practice, addressing cloth as a commodity that partly constructs our identity. In turn, the textile industry, one of biggest industries in the world, is a socio-economic phenomenon, where production and processing of textile are part of our daily lives. In ‘Fabric/ate’, the artists aim to create parallels between their works as well as transform the venue through their distinct works.

Fabric serves as key material in Avissar’s work, as he combines it with paint onto large-scale installations in exhibition venues. The existential state of nomadism is key to his practice of creating unfixed environments that he perceives as places to build, reside in, and transform. Avissar will revisit one of his tent installations inside the venue with the video titled Beeri Tree (2014). His video works are documentations of his performances with his installations that he created in his studio or out in nature. In the exhibition, Avissar will present ‘Beeri Tree’ (2014), and various photographs alongside his installation. Avissar’s installation will transform the venue into another entity out of its original context.

In her practice, Lisa Simpson creates sculptural garments from second-hand clothing and fabric remnants as a way of questioning current western consumption habits. Simpson uses the sewing machine as a musical instrument in both solo and collaborative performances, creating her soft sculptures based on improvisation and indeterminate concepts often studied in musical composition. For the exhibition, Simpson will create an installation combined from previous garments created in collaboration with Stephanie Müller, as well as from found materials in Istanbul, particularly from second hand shops and ateliers in Bomonti and Dolapdere, two neighborhoods strongly marked by gentrification. These materials will be reworked into sculptural garments during Simpson’s stay in Istanbul, as well as during the opening night performance, so the viewer is invited into the creative process.

Stephanie Müller combines sound and textile in her installations, creating textile-based sound objects and video art, often in collaboration with visual artist Klaus Erich Dietl. Müller and Simpson have been collaborating as the Duet of Amplified Sewing Machines since 2014, due to a mutual interest in sound art and textiles, particularly in using the sewing machine as a musical instrument. In their performances, the artists take their sewing machines out of their original context, alienating them from their use in industrial or private spaces, transforming them into amplified musical instruments that they place on center space, under the spotlight.

The exhibition is realized with the sponsorship of Mazars Denge, which also celebrates its 40th year in 2017. Consulate of General of Israel in Istanbul, STEP travel grant from European Cultural Foundation with the support of Compagnia di San Paolo, and Alberto Cimetta Fund supported the travel of the artists for the exhibition.

Schneidertempel Art Center is open between 11:00-18:00 and the space is closed on Monday and Tuesday.

Gili Avissar

Gili Avissar, a multi-disciplinary artist, was born in Haifa, 1980. He lives and works in Tel Aviv. Gili Avissar’s oeuvre extends across a wide range of media, essentially creating a space subject to constant change. It contains the sum total of contexts pertaining to the creation of objects and their animation in space. In many cases Avissar is physically involved in the work: he wallows in paint, wears his sculptures, and assumes self-created masks. Each work is akin to a link binding a past work with a future one in a cycle of deconstruction, processing and reinvention of colors, objects and shapes, thereby undermining notions of beginning and completion. Crucial to this perpetual cycle is Avissar’s constant self-documentation; studio-made videos that not only manifest his aesthetics in yet another media, but rather constitute as an exclusive evidence to temporary phases. Providing a slit to clandestine developments otherwise may not be seen, the videos are, in fact, the only gateway through which the viewer can experience the full spectrum of the artist’s innovation. In this sense, Avissar’s video works challenge the very notion of Video Art; they do not aim to accord the medium, but rather to serve as an intrinsic practice. Avissar’s video oeuvre can best be described as the sum of all media; in some cases it is characterized by a sculptural nature; other times it reflects the artist’s performative persona; it can serve as a pictorial frame or a component in a large-scale installation. What may be seen at first as a transformative practice, Avissar’s video works play a significant role in the unification of his conceptual and material narratives.

http://www.giliavissar.com/

Stephanie Müller

Stephanie Müller is a visual artist and sociological researcher with a fierce love for experiments and improvisation. She has a master’s degree in communication science, sociology and psychology (LMU Munich) and postgraduate (art and therapy) at the Academy of Fine Arts in Munich. Still studying she launched her textile and media art project rag*treasure. Together with Laura Melis Theis, an Oxford based songwriter, she initiated the experimental band project beißpony. In October 2013 their debut album was released on Chicks On Speed Records.

Besides her art projects Stephanie Müller is engaged as a university and guest lecturer. Since 2014 Stephanie Müller is part of the research project Making Art – Taking Part! on the authority of the Mozarteum and the University of Salzburg.

Recent highlights include performances in New York (Sidewalk Cafe), at the Cineclub Detour in Rome, at the Museumsquartier in Vienna, an invitation by the Kunsthalle Schirn (Frankfurt a. Main) and a sound art performance at the ZKM Karlsruhe. And together with Klaus Erich Dietl she directed the collaborative full length feature film „The Mouth – Our Ultimate Prison“. It is premiered at the Lenbachhaus in Munich in July 2017.

Dialogue lies at heart of Müller’s art and research projects. She is part of a series of international art exchange projects supported by institutions such as the British Arts Council and the Goethe Institute. So far she had full stipend residencies in Antwerp (Belgium), Austin (Texas, USA), Lviv and Kiev (Ukraine), Jakarta (Indonesia). At the moment she is European artist in residence together with her collaborator Klaus Erich Dietl at the BE Festival in Birmingham.

www.flachware.de/stephanie-mueller

Lisa Simpson

Lisa Simpson is a sewing agent. She has been playing the Singer, a sewing machine, since 2003. In the daytime she tackles unwanted clothing, pins them down and cuts them up, transforming them into new wearable shapes. By nighttime, the Singer joins her fellow musicians and Lisa sews to the beat of the music, improvising on clothing based on rhythm and sound. The prepared sewing machine is amplified to become a musical instrument, and new sculptural garments are created from old clothes.

She has a Bachelor degree in Visual Arts from Universidade Tuiuti do Paraná, and a Master of Applied Arts Degree from Emily Carr University of Art and Design. Her research focuses on her exhibitions in progress, where the creative process is emphasized; the performativity of the act of sewing; and audience participation as the source of inspiration. By transforming wardrobes she is questioning contemporary consumption habits, bringing forth a discussion around the sustainability of the fashion industry. She can be found deep under a pile of commissions, or in an exhibition in progress somewhere around the world. Lisa has performed extensively on an international level, including at The Vancouver Art Gallery, the Month of Performance Art- Berlin, the Bimhuis Amsterdam, Curitiba Fashion Week, among others. In 2014 she was Artist in Residence at Villa Waldberta in Munich, invited by the EU project What’s the Deal.

http://musicalsewing.blogspot.com.tr/

PERŞEMBE 17 AGUSTOS 2017
ARABÖLGE @ Kaset Mitanni !!!

170817_Arabolge@KasetMitanni

Saat / Time : 22:00
Yer / Place : Kaset Mitanni
Adres / Address : Cihannüma Mah. Barbaros Bulvarı No:61/A Beşiktaş, Istanbul
Tel / Phone : (0212) 236 1652

ARABÖLGE Facebook Etkinlik sayfası / INTERZONE Facebook Event page

Şevket Akıncı
Giray Gürkal
Eva Hoogland

ÇARŞAMBA 09 AGUSTOS 2017
A.I.D Room No:9 @ Yeşilçam Sineması !!!

090817_AID ROOM No9@YesilcamSinemasi

Saat / Time : 19:00 – 02:00
Yer / Place : Yeşilçam Sineması
Adres / Address : İmam Adnan Sokağı No:8, 34435 Taksim, Istanbul
Tel / Phone : (0212) 293 68 00

Facebook Event Sayfası / Facebook Event Page

[TR] —scroll down for English—

AID Room herhangi bir tesiste (örn. okul, spor salonu, tamir atölyesi veya işgal evi) oluşturulabilen ve sanat gazileri veya müzikal hastalara, bir sonraki AID Fest’e kadar gerekli olan acil müdahalenin uygulanacağı bir tür ilkyardım odasıdır.

2015’de İstanbul’da kararlaştırılan mevzuata göre, AID Room’lar kolayca ulaşılabilir olmalı ve en az şu öğelere sahip olmalıdır:

ses kaynağı;
ses çıkış birimi;
deneysellik;
kulak tıkacı, gerekli durumlar için;
vakaların kaydı ve yayımı için ses & görüntü kayıt ekipmanı;
dayanışma.

aidroom.bandcamp.com
artisdead.in

————————————-

A.I.D Room No:9

Acid Work
https://acidwork.bandcamp.com/4

Akıncı / Gürkal / Erdem

Şevket Akıncı: gitar
http://sevketakinci.com/
Giray Gürkal: gitar

Çağrı Erdem: gitar
http://cagrierdem.net/

Çağlar / Arıkan

Yurdal Çağlar: gitar
Görkem Arıkan: elektronikler

Görkem Özdemir
no-input mixing

haut

Ahmetcan Gökçeer: elektronikler

Özgür Yılmaz: kontrabas, elektronikler

Hoogland (NL) / Türköz / Yılmaz

Eva Hoogland: vokal

Saadet Türköz: vokal
http://www.saadet.ch/
Özgür Yılmaz: kontrabas

NuR (CH)

Traffucked field recordings. Severely screwed and always delayed recordings due to high levels of compression. a set for the last ones and the retarded.

Untitled#1

Orçun Baştürk: performans

Untitled#2

Orçun Baştürk & Sumru Ağıryürüyen
https://sumruagiryuruyen.com/

Tzii (Sun)

Since the 90’s Tzii, music composer and filmmaker, spreads his frequencies all over the world through touring from Eastern and Western Europe to Australia, passing by USA, Canada, Mexico, Japan, Indonesia and Africa, where he played hundreds of shows …. He created his own label NIGHT ON EARTH in 2001, releasing vinyls and tapes, and is a co-founder & active member of the audiovisual label/collective V-ATAK. His main aim is to reach transcendance through sound trance, layering and looping to another dimension to let the emotional body flow freely on the waves …… To do so he explores infinite different worlds and expressions, from music to performance or collective creations. One thing always remains in his works : they’re impossible to fit in any box. “A mountain of multiple figures” as defined by Nyx.
He’s part of several other projects like SOLAR SKELETONS, MS30, 1997EV, VIRIL, AEROBICONOISE, collaborated with many others and works also for dance companies, living performances, movie soundtracks and any other mediums with sound inside …..
http://www.tzii.tk/
http://www.ursss.com/2016/11/tzii/

Canlı Görseller: Anıl Çelik, Cem Çat, Mehmet Ömür

[ENG]

AID Room may be a room in an establishment (e.g. a school, sports venue, repair shop or squad) to which someone who is artistically injured or taken musically ill on the premises can be taken for first aid and to await the arrival of the upcoming AID Fest.

According to guidance issued in 2015 in Istanbul, AID Room should be clearly signposted, easily accessible and contain:

sound source;
sound output;
experimentalism;
earplugs, if necessary;
audio & video recording equipment for recording incidents and streaming purposes;
solidarity.

aidroom.bandcamp.com
artisdead.in

—————————————-

A.I.D Room No:9

Acid Work
https://acidwork.bandcamp.com/4

Akıncı / Gürkal / Erdem

Şevket Akıncı: guitar
http://sevketakinci.com/
Giray Gürkal: guitar

Çağrı Erdem: guitar
http://cagrierdem.net/

Çağlar / Arıkan

Yurdal Çağlar: guitar
Görkem Arıkan: elektronics

Görkem Özdemir
no-input mixing

haut

Ahmetcan Gökçeer: electronics

Özgür Yılmaz: double bass, electronics

Hoogland (NL) / Türköz / Yılmaz

Eva Hoogland: voice

Saadet Türköz: voice
http://www.saadet.ch/
Özgür Yılmaz: double bass

NuR (CH)

Traffucked field recordings. Severely screwed and always delayed recordings due to high levels of compression. a set for the last ones and the retarded.

Untitled#1

Orçun Baştürk: performance

Untitled#2
Orçun Baştürk & Sumru Ağıryürüyen
https://sumruagiryuruyen.com/

Tzii (Sun)

Since the 90’s Tzii, music composer and filmmaker, spreads his frequencies all over the world through touring from Eastern and Western Europe to Australia, passing by USA, Canada, Mexico, Japan, Indonesia and Africa, where he played hundreds of shows …. He created his own label NIGHT ON EARTH in 2001, releasing vinyls and tapes, and is a co-founder & active member of the audiovisual label/collective V-ATAK. His main aim is to reach transcendance through sound trance, layering and looping to another dimension to let the emotional body flow freely on the waves …… To do so he explores infinite different worlds and expressions, from music to performance or collective creations. One thing always remains in his works : they’re impossible to fit in any box. “A mountain of multiple figures” as defined by Nyx.
He’s part of several other projects like SOLAR SKELETONS, MS30, 1997EV, VIRIL, AEROBICONOISE, collaborated with many others and works also for dance companies, living performances, movie soundtracks and any other mediums with sound inside …..
http://www.tzii.tk/
http://www.ursss.com/2016/11/tzii/

Live Visuals: Anıl Çelik, Cem Çat, Mehmet Ömür

Free admission

PERŞEMBE 03 AGUSTOS 2017
EarAfter? @ Space Debris Art !!!

030817-Earafter@SpaceDebrisArts

Yer / Place : Space Debris Art
Zaman / Time : 19:30 – 21:30
Telefon / Phone : (0212) 244 21 31
Adres / Address : Kemankeş Mahallesi Hoca Tahsin Sokak No:15/1 kat 1 Beyoğlu – Istanbul

SPACE DEBRIS ARTS Harita / How to get to SPACE DEBRIS ARTS

Facebook Event page

Joshua Thomson : Saksafon / Saxophone
Mehmet Ömür : Canlı görseller / Live visuals
Şevket Akıncı : Gitar, elektronikler, laptop, oyuncaklar
Çağrı Erdem : Gitar, elektronikler, laptop, oyuncaklar

(please scroll down for english)

‘EarAfter?’(Kulağınız neyin peşinden gidiyor?”) gitarist Çağrı Erdem’le birlikte akvaryumda yüzen iki kayıp ruh edasıyla kulağını arayan yek bir sese dönüştüğümüz döngü’nün adıdır.” Şevket Akıncı

Saksafoncu ve üflemeli çalgılar müzisyeni Joshua Thomson, 2008 yılından beri Austin’de faaliyet göstermektedir. Aslen Detroit, MI’den olan Thomson, aktif bir besteci, müzik gruplarında lideri ve sideman olmanın yanında düzenli olarak ulusal ve uluslar arası turlar yapıyor ve kayıt yapıyor. Thomson, Arap müziği, Brezilyalı, deneysel, improvize caz, caz, Latin ve çoklu füzyon bağlamlarında performans sergiliyor. Thomson, two City of Austin Proclamations’u (2014) alan kişidir. Thomson, bugünlerde Amerikali Dogaclama grubu “Break / Fix” ve Ortadoğu Jazz grubu “Atlas Maior” ‘u yürütmenin yakışıra Ingebrigt Håker Flaten, Robert Reigle ve Raquy Danziger ile birlikte çalışıyor. Müzik üzerine ek olarak Thomson, Michigan Üniversitesi’nde sosyoloji okudu ve Dominik Cumhuriyeti’nde niteliksel araştırmalar yaptı.

Sevgili Şenol Küçükyıldırım’ın “what does your ear go after?” (kulağınız neyin peşinden gidiyor?) şeklindeki sorgusundan esinlenerek ortaya çıkmış olan “EarAfter?” için, bir çok farklı projeden de tanıdığımız Şevket Akıncı ve Çağrı Erdem’in müzik, özgürlük, rastlantısallık, doğaçlama, iletişim gibi kavramları ve hatta kavramsallığın kendisini, ses ekseninde sorgulamaya koyuldukları bir arayış projesidir desek pek de yanlış olmaz. İkilinin müziğini, köklerinin bağlı olduğu özgür doğaçlamadan sıyırıp kısaca eklektik olarak tanımlayabiliriz; gitarlar, insan sesi, oyuncaklar, kontrol arabirimleri, çeşitli analog ve dijital ekipmanlar ile, özellikle hiçbir plan ve ön hazırlık olmaksızın, sadece kulaklarının peşinden gittiği sesleri icra ediyorlar.

Mehmet Ömür canlı görselleriyle, geceye eşlik edecek.

//

EarAfter? feat Joshua Thomson / live visuals: Mehmet Ömür

“‘EarAfter?’ is the name of the loop where we are transforming into a sound in a sole body looking for its ear so much like a ‘two lost souls swimming in a fish bowl’.” Şevket Akıncı

It would not be wrong if we describe EarAfter? as a duo odyssey of Şevket Akıncı and Çağrı Erdem where, in fact, concepts like music, freedom, randomness, improvisation, communication and the conceptualism itself are being questioned in a sonic way, such that it met its name upon the questionnaire of Dear Şenol Küçükyıldırım (What does your ear go after?). We can shortly identify their musical output “eclectic” instead of “free improvisation” where their music is actually based on; especially without any spadework, they are performing only and solely the sounds that “their ears go after” by guitars, voice, toys, controllers and several analog and digital equipment.

Saxophonist & wind player Joshua Thomson has been active in Austin since 2008. Originally from Detroit, MI Thomson regularly tours and records nationally, and internationally while being an active composer, bandleader and sideman. Thomson performs in Arab music, Brazilian, brass band, experimental, free jazz, jazz, Latin, and multiple fusion contexts. Thomson is the recipient of two City of Austin Proclamations (2014). Currently Thomson co-leads American Free Improvisation group “Break/Fix” and Middle Eastern Jazz group “Atlas Maior” and has collaborated with Ingebrigt Håker Flaten, Robert Reigle, and Raquy Danziger. In addition to music, Thomson studied Sociology at The University of Michigan, and has done qualitative research in The Dominican Republic.

Mehmet Ömür will accompany the evening with his live visuals.

PAZAR 23 TEMMUZ 2017
Tokyo-Istanbul Meeting @ PÜRistanbul !!!

230717 Tokyo-Istanbul Meeting @ PURistanbul

Saat / Time : 14:00 – 19:30
Yer / Place :PÜR Istanbul
Adres / Address : Asmalımescit Mahallesi, Jurnal Sokak, No: 2, 34430 Beyoğlu, Istanbul, Turkey
Tel / Phone : (0212) 236 1652

Tokyo-Istanbul Meeting Facebook Event Link

PÜR Istanbul Websitesi / PUR Istanbul Website

PÜR Istanbul harita / PUR Istanbul MAP How to get there

PÜR Istanbul Facebook Website

Jun Kawasaki, Aya, and Choi JaeChol travel from Tokyo and meet Saadet Türköz (Zurich), Şevket Akıncı, Sumru Agiryuruyen, and Orçun Baştürk at PUR in Asmalimescit for an afternoon of Free Improvization!

Jun Kawasaki, Music and Poetic Drama Laboratory |音楽詩劇研究所 are in Istanbul on their way from Buryat Republic (Russia) to Ukraine as part of their Baikal and Black Sea Project 2017 (see below for details).

Performers:
Jun Kawasaki (contrabass)
Aya (Butoh dance)
Choi JaeChol (Korean percussion)
Saadet Turkoz (vocal)
Şevket Akıncı (guitar)
Sumru Ağıryürüyen (vocal)
Orçun Baştürk (percussion)

INVITATION: For the 3rd set, other artists (musicians, dancers, actors) are invited to join in to improvise together.

Sunday, July 23, 2017
1st set: 14:00 – 15:00
2nd Set: 15:30 – 17:30
3rd Set: 18:00 – 19:30 – Free session with Guests

Music charge: None. Open to Donations.

Food & Drinks: We’ll have sake, green tea, and miso soup from Japan as well as Turkish food and drinks.

Presented by:
PÜR Istanbul: http://puristanbul.com/
Music and Poetic Drama Laboratory (音楽詩劇研究所): http://musicpoeticdrama.com/
Tarantula: http://trntl.net/

Supported by Arts Council Tokyo: http://artscouncil-tokyo.jp/

PERFORMERS
Jun Kawasaki: http://musicpoeticdrama.com/
Aya: http://musicpoeticdrama.com/artists_aya.html
Choi JaeChol: http://choijaechol.wixsite.com/solchangu
Saadet Turkoz: http://www.saadet.ch/
Şevket Akıncı: http://sevketakinci.com/
Sumru Ağıryürüyen: www.sumruagiryuruyen.wordpress.com
Orçun Baştürk: http://orcunbasturk.wordpress.com/

MUSIC AND POETIC DRAMA LABORATORY (TOKYO)

Baikal Project and Black Sea Project 2017 – On the Road to New Eurasian Opera – “The end does not end“ Directed and Composed by Jun Kawasaki, Music and Poetic Drama Project

Eurasian opera = Collection of mythology in the 21th century = Magic realism of North East Asia

“The end does not end” – Jun Kawasaki, Music and Poetic Drama Laboratory’s contemporary music theatre – features a blend of contemporary choreography, modern compositions, improvisation and traditional music. We have a project creating a new Asian MUSIC AND POETIC DRAMA that embraces essences of Japanese traditional musical theater (i.e. Noh) or new dance (i.e. Butoh dance), and it is different from ballet or opera in Western Europe.

In 2015, Music and Poetic Drama Laboratory performed a theatre music “the end does not end” in the 100th anniversary of birth of Tadeusz Kantor at Theatre X, Tokyo. In 2016, we performed this theatre music as a Eurasian Opera in Armenia (Caucasus project), Russia (Moscow meeting) with impromptu musicians and singer who sing traditional music of her own country.

In 2017, this theatre music altered differently by Jun Kawasaki’s new composition with chamber music. After premier we are going to perform it in Buryat Republic, Turkey, and Ukraine, and have performances in this September in Tokyo. Welcome to this premiere and watch a moment in which new piece will be created.

We are singing collection of mythology in the 21th century based on modern Chinese novel that describes about life of minority, nomadic, and hunting race who lived in border between Russia China, two World Wars, Russian Revolution, establishment of People’s Republic of China, and customs such as language and shamanism that being lost. This theatre music is constructed by songs and unique chorus system, and based on many locality and life of minority groups. According to a certain kind point of view, it can connect to modern Latin American Arts such as García Marchez and could be called Magic realism of North East Asia.

There has been Silk Road on Eurasian Continent from ancient times. We will be Marebito (visitors from afarworld), going and making new ways. Encounters of the Far East music, Asian music, and European music are making new Eurasian ways.

BIOS

JUN KAWASAKI (Composer, Director, Double bass player)

Born in Tokyo,1975. He has performed with many distinguished musicians in and out of Japan. Kawasaki has also composed and performed extensively for theater, dance and Buto about 80 pieces,as a musical director. His major works include music for Camille Claudel,Kenji Miyazawa and Jean-Jacques Rousseau (a dance piece conceived and choreographed by Senrei Nishikawa, a traditional Japanese dancer), About 1hr. 20min. on Oct. 1&2 in Brecht Festival (Japanese theatre company, Port B / Akira Takayama), Hamlet Machine (Heiner Müller) by Adults and Children (produced by SPAC Shizuoka Performing Arts Center in Japan), Madam Edwarda (George Bataille by Japanese traditional Marionette Theater Edo Ito Ayatsuri).
2012, 2013, Kawasaki collaborated with Turkish choreographer Aydin Teker, and made “db-ll-bass” sound, body, and instrument “db-ll-bass” is an attempt to construct a new creative sphere of performance, by reexamining the historical relationship between the body and a musical instrument — the contrabass — and extending both performance possibilities to the other. The piece was premiered in Istanbul, Turkey (Akbank Jazz festival), in October 2012. 2013 was played in Performing Arts Meeting in Yokohama. His representative participation work was “sound migration” which is a contemporary music collaboration between Japan and Turkey by Japan Foundation. The performance in Istanbul was held as the opening in the Istanbul International Contemporary Dance & Performance Festival (iDANS). It will be an original act of creation that cuts off a slice of ‘now’, the present moment, where the migration of peoples is occurring on a global scale.
And, he has composed and played in a number of works of creation of traditional Japanese traditional dance by Senrei Nishikawa. And performed in many countries. Also, he was invited as a soloist of Dresdner Sinfoniker’s brand-new musical theater of the epic of Central Asia with composer Marc Sinan, and worked with traditional Central Asian musician from Uzbekistan, Kazakhstan, Azerbaijan etc. He has joined as an active member in several projects of contemporary music, improvisational performance, and dance in many countries especially Turkey and Russia. Through those activities, he acquired new perspectives to create new international works that reconsider Asia from the view point on the border between Asia and Europe.
Since 2015 he was invited and start to organize Music and Poetic Drama Laboratory at Theater X, Tokyo. 2015 June, Jun kawasaki composed and Music and Poetic Drama Laboratory performed “ORPHANS AND STARS” and collaborated with Israel pianist. In this performance, musicians and actors perform 20 songs. Original texts of each song are mainly from Jewish poet Paul Celan’s pieces and Bertolt Brecht’s pieces. “The end does not end” was premiere for the 100th anniversary project of the birth of Tadeusz Kantor in 2015 at Theater X, Tokyo. He has performed in many countries and international music and dance festival, including the US, Russia, France, Poland, Ukraine, Lithuania,Taiwan, Korea, Egypt, Hungry, Germany, Switzerland, Liechtenstein and Armenia.

AYA (Butoh Dance)

Graduated from College of Art and Design in Musashino Art University, Tokyo Japan. Studied modern ballet at the Ikuko Kanemitsu Buyoh Gakuen dance school in childhood. Then had deep interest for art, music and literature. As a university student, Aya created art works “Tokeru Shintai – Melted Body“ & “Hyousou Hyohonnbako – Signed Specimen Box” with her interest in man’s sense organ in festival or performance. Although her lineage is from Tatsumi Hijikata in Butoh or Saburo Teshigawara in contemporary dance, she joined the film “My Name is Hmmm…..” directed by agnès b. with Jonas Mekas, Antonio Negri, and Douglas Gordon.
At present, supervising a body workshop at Rakudo-An in Kanda, Tokyo & studying “Butoh” at the workshop “KAYOU KAI” by Tokyo based butoh dancer Mitsuyo Uesugi. Butoh: also initially inspired by rural lives and rituals of the common folk in the Northern part of Japan (home of the Butoh founder Tatsumi Hijikata) that was getting lost in centralized society with emphasis on economy.

CHOI JAE CHOL (Korean traditional drummer & dancer)

Korean drummer name is Changu. Born as a Japan-resident Korean in 1979. He has performed Nongak (Korean traditional music and folk dance) in various settings. Beyond the boundaries of tradition and contemporary music, he created collaboration with Butoh Dancer Min Tanaka, Japanese and Korean traditional music with Kiyohiko Semba, etc. He has a unique project “CHANGO WALK” drumming and walking from Tokyo to Korea, he has made the sound of the drum spreading in the nature echo. In 2016, he perfumed at the Sanriku International Art Festival and collaborated with Japanese folk horse dance (Enburi) and deer dance (Shishiodori). He composed and directed Nongak with pianist Masahiro Sayama in Kawasaki Jazz Festival.

SAADET TURKOZ (singer)

Born in Istanbul, Saadet Türköz is a Kazakh-Turkish singer and composer who currently lives in Switzerland. She grew up in Istanbul, where she first worked as a journalist and translator. Türköz’s first recordings were influenced by the folk music of her homeland, East Turkestan; in recent years, her repertoire has widened to include improvised music and modern interpretations of Turkish and Kazakh music. In addition to solo performances, Türköz performs in duos, trios and larger, free improvising formations. She has played with Elliott Sharp, Okkyung Lee, Eyvind Kang, Carl Stone and Larry Ochs, among others, and performed with Paed Conca’s BLAST quintet. http://www.saadet.ch/

SEVKET AKINCI (guitarist, composer, improviser, arranger, producer)

Şevket Akıncı has played, composed, and recorded in many musical styles from jazz, country, folk, and classical Turkish, to electronica, punk, and free improvisation. He has performed concerts in many countries with his ensembles and with many outstanding musicians. He has also composed scores for a variety of dance, film and theater projects. In 2005, with Korhan Erel, he founded Islak Köpek, Turkey’s oldest free improvisation group; and later created the avant garde Mutant project for seven guitarists. Currently, he gives concerts with Umut Çağlar’s Dead Country, Şenol Küçükyıldırım’sWeed projects, and with the Turkish-Dutch improvisation project IstanPOOL. A producer of the Şirin Soysal project, Şevket Akıncı is a lecturer at the Bahçeşehir Jazz School, and a radio programmer. He has also written a book of poetry, Hezeyan Sözlüğü. http://sevketakinci.com/

SUMRU AGIRYURUYEN (singer, improviser, mandolinist)

From the 80’s on, Sumru Ağıryürüyen has sung in many projects and performances around the world in styles ranging from traditional to free improvisation. Her solo album, Issız/Solitude features many of her original song-compositions. She recently released a free improvisation album Sert Sessizler/Harsh Consonants with cellist Anıl Eraslan. Recordings with her former groups include two Balkan music albums (Ayde Mori, and Balkan Yolculuğu/Balkan Journey), and Klez-Mez, a klezmer and Sephardic music project. In 2010, she performed and directed programs with outstanding figures in innovative music at the international Ismet Sıral Creative Music Studio. She is also a composer of film scores, including the award- winning Sonbahar/Autumn directed by Özcan Alper. In addition, she is a radio programmer, and a translator of books such as The Little Prince. www.sumruagiryuruyen.wordpress.com

ORCUN BASTURK (drummer, composer, song writer)

As a member of the out-of-the-mainstream music scene, Orçun Baştürk plays in many outstanding groups in Turkey: the avant-rock band Replikas, the recently established G.R.O.S. (Great Republic of South), and the ‘folk’n 9 beat and psychedelic Aegean music project’ Kırıka. Former groups with whom he has worked include Saska, and İstanbul Blues Kumpanyası. With his various ensembles he has recorded numerous albums and performed at many festivals all over the world. His solo works, ‘Chicken Pox Songs’ and ‘Various Recordings Vol. 1-2’ have been released on the internet under the name of Oichuung. He has composed many film and theater scores and played in many live interdisciplinary performances. As a film director, his short films have received awards and been shown at many festivals including the İstanbul and European film festivals. He is also a radio programmer. http://orcunbasturk.wordpress.com/

PAZARTESI 19 HAZIRAN 2016
Take the AID Train!
@ Kaset Mitanni !!!

190617_TakeTheAIDtrain@KasetMitanni

Saat / Time : 20:30
Yer / Place : Kaset Mitanni
Adres / Address : Cihannüma Mah. Barbaros Bulvarı No:61/A Beşiktaş, Istanbul
Tel / Phone : (0212) 236 1652

TAKE THE AID TRAIN! Facebook Event link

Kaset Mitanni Facebook link

A.I.D. (Art Is Dead) Facebook Page

Gürültü ve Duman!

Take the AID Train Şevket Akıncı ve A.I.D (Art Is Dead)’in ortak etkinliğidir. Bir Özgür Müzik gecesi.

Çeşitli düetlerle ve sonradan katılmak isteyenlerle beraber çalacağımız bir özgür doğaçlama/ özgür caz/ Noise/ Deep listening, ambient Elektronik, Elektronik Ambient/ Fluxus/ Dada/ Ma/ Transeksüel Swing/ Çeşitli tempolarda susma müziği, What you name it gecesidir. Gönüllüler quartetlere katılabilir. Kazoo, Av Borusu, Balalayka, bisiklet, helikopter, Bazooka, çalmak serbest. (Iki saat Santur ve UFO Drum’dan emin değiliz) serial Halay ya da rastlantısal tango serbest. Take the ‘A’ Train’i mahvedeceğimiz anlar olabilir. Hepimizin sevdiği saydığı Billy Strayhorn’dan şimdiden özür diliyoruz. Open mike gecesi değildir Open Dyke’lar gelebilir. Bekleriz!

Giriş Ücreti / Entrance : 15 TL

CUMARTESI 17 HAZIRAN 2017
A.I.D Room No:8 @ Yeşilçam Sineması !!!

170617 AID Room No8@YesilcamSinemasi

Saat / Time : 14:00 – 01:00
Yer / Place : Yeşilçam Sineması
Adres / Address : İmam Adnan Sokağı No:8, 34435 Taksim, Istanbul
Tel / Phone : (0212) 293 68 00

[TR] —scroll down for English—

AID Room herhangi bir tesiste (örn. okul, spor salonu, tamir atölyesi veya işgal evi) oluşturulabilen ve sanat gazileri veya müzikal hastalara, bir sonraki AID Fest’e kadar gerekli olan acil müdahalenin uygulanacağı bir tür ilkyardım odasıdır.

2015’de İstanbul’da kararlaştırılan mevzuata göre, AID Room’lar kolayca ulaşılabilir olmalı ve en az şu öğelere sahip olmalıdır:

ses kaynağı;
ses çıkış birimi;
deneysellik;
kulak tıkacı, gerekli durumlar için;
vakaların kaydı ve yayımı için ses & görüntü kayıt ekipmanı;
dayanışma.

aidroom.bandcamp.com
artisdead.in

A.I.D Room No:8

FILM SESSION (14:00 – 17:00)
“Sound Is Matter”, Anna Samsøe (DK)
“Mizafoni”, Volkan Ergen
Cabaret Ziba Özel Seans

LIVE SESSION (19:00 – 01:00)
GÜLMEZ/ERASLAN/AKINCI/ERDEM

Cihan Gülmez: tenor saksofon
Anıl Eraslan: çello
Şevket Akıncı: gitar, elektronikler
Çağrı Erdem: beden, elektronikler

Çağlar/Kırgız/Başkurt
Yurdal Çağlar: ud, gitar, elektronikler
Uğur Kırgız: trombon, no input mikser
Onur Başkurt: vurmalı, elektronikler

Robotik Hayaller

Karakoç/Ergen
Volkan Ergen: vurmalı, elektronikler
Tarık Karakoç: saksofon

Orçun Baştürk
Ölmek için nereyi seçer serçeler?” isimli performansı gerçekleştirecektir.

Anamorf (DK)
Sesteki modülasyonlar ile çalışan müzisyen & sessel sanatçı. Anamorf’un abstrakt ses peyzajları ve çeşitli ritmik yapılar arasında seyreden performansında drone’dan techno’ya birçok elektronik janrı bulabilirsiniz.
Andreas Stoubye Johansen: modular synth, davul makinesi, vokal


RAW

RAW yaratıcılığı kendine özgü yöntemlerle ifade etmek için yola çıkmış bir ses ve görüntü grubudur. Kullandıkları ses ve görüntü ham maddelerini eş zamanlı olarak programlayarak (live-coding) canlı performansa dönüştüren ekip Selçuk ARTUT (Replikas) ve Alp TUĞAN’dan oluşmaktadır.

soundcloud.com/rawlivecoding
instagram.com/rawlivecoding
vimeo.com/rawlivecoding
rawlivecoding.com

Canlı Görseller: Mehmet Ömür, Anıl Çelik

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MUTFAKUNDERGROUND
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[ENG]

AID Room may be a room in an establishment (e.g. a school, sports venue, repair shop or squad) to which someone who is artistically injured or taken musically ill on the premises can be taken for first aid and to await the arrival of the upcoming AID Fest.

According to guidance issued in 2015 in Istanbul, AID Room should be clearly signposted, easily accessible and contain:

sound source;
sound output;
experimentalism;
earplugs, if necessary;
audio & video recording equipment for recording incidents and streaming purposes;
solidarity.

aidroom.bandcamp.com
artisdead.in

A.I.D Room No:8

FILM SESSION (14:00 – 17:00)
“Sound Is Matter”, Anna Samsøe (DK)
“Mizafoni”, Volkan Ergen
Cabaret Ziba Özel Seans

LIVE SESSION (19:00 – 01:00)
GÜLMEZ/ERASLAN/AKINCI/ERDEM

Cihan Gülmez: tenor sax
Anıl Eraslan: cello
Şevket Akıncı: guitar, electronics
Çağrı Erdem: body, electronics

Çağlar/Kırgız/Başkurt
Yurdal Çağlar: oud, guitar, electronics
Uğur Kırgız: trombone, no input mixer
Onur Başkurt: percussion, electronics

Robotik Hayaller

Karakoç/Ergen
Volkan Ergen: percussion, electronics
Tarık Karakoç: sax

Orçun Baştürk
He is going to perform the piece called; “Ölmek için nereyi seçer serçeler?”

Anamorf (DK)
Andreas Stoubye Johansen: Modular System, Drum Machine, Vocals
Musician & sound artist working with modulations in sound. In the field between abstract
soundscapes and structured rythmic patterns Anamorf performs a set that is always changing. With
a modular system he create fragments of all kinds of electronic genres, from drone to techno.

soundcloud.com/anamorf
www.youtube.com/watch?v=2LSbS-H6xko

RAW
RAW is a live coding duo (Selcuk ARTUT, Alp TUĞAN) creating Audio Visual Performances.

soundcloud.com/rawlivecoding
instagram.com/rawlivecoding
vimeo.com/rawlivecoding
rawlivecoding.com

Live Visuals: Mehmet Ömür, Anıl Çelik

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MUTFAKUNDERGROUND
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CUMARTESI 03 HAZIRAN 2017
Islak Köpek @ Moers Festival – Moers/Germany

IslakKopek_450

Saat / Time : 18:30
Yer / Place : Moerser Musikschule / Moerser Music School
Adres / Address : Musikschule Moers, Filder Str. 126, Moers, Berlin/Germany
Telefon / Phone : +49 2841 1334

Moers Festival Event link

Sevket Akinci : Electric Guitar
Korhan Erel : Electronics
Giray Gürkal : Electric Guitar
Robert Reigle : Tenor Sax
Dirk Stromberg : Phallophone

PAZARTESI 29 MAYIS 2017
Matthias Mainz & Friends
@ Kaset Mitanni !!!

290517 Matthias Mainz & Friends @ Kaset Mitanni

Saat / Time : 21:30
Yer / Place : Kaset Mitanni
Adres / Address : Cihannüma Mah. Barbaros Bulvarı No:61/A Beşiktaş, Istanbul
Tel / Phone : (0212) 236 1652

Kaset Mitanni Facebook link

Facebook Event Link

Matthias Mainz: Piano&Electronics
Sumru Ağıryürüyen: Vocals& Mandolin
Orçun Baştürk: Drums
Serhan Erkol: Saxophone& Ney
Şevket Akıncı: Guitar

3 years later, we met again for some improvised sounds and beyond.

Facebook:


* Şevket Akıncı'nın katıldığı
ÖTEKİ CAZ
programını her pazar günü 17:00-18:00 arası Açık Radyo'da dinleyebilirsiniz.
AÇIK RADYO 94.9(İstanbul)
(Açık Radyo, web üzerinden de yayın yapmaktadır. www.acikradyo.com.tr)
* Şevket Akıncı - Myspace sitesine göz atmayi unutmayin! ;)